Archive for August, 2009

You Never Forget your First

Tuesday, August 25th, 2009

In 1979, after selling the company that bore his name in 1965, Leo Fender partnered with George Fullerton to form a new company that would go on to innovate the design and production of electric guitars.

The first child of the marriage of the minds of G&L was the G&L F-100. Debuting in the mid eighties the G&L F-100, the F-100 was an evolution of an early design that Leo Fender had created while working for Music Man Guitars. The smaller production runs of G&L allowed for their customers to have many options when selecting their guitars and this philosophy began at G&L with their very first guitar. The G&L F-100 came in a variety of options, including the fingerboard radius, the fingerboard wood, tailpiece and electronics. Fender also added Mahogany to the body wood along with the standard Ash. The F-100 was also the very first guitar to showcase Fender’s Magnetic Field Design pickups. The F-100 has become a defining guitar for the birth of a new company and set a bar that continues to be raised to this day by G&L. It has become a favorite of both players and collectors and as we move further away from the original production year and collectors snap them up the market is showing that an original is becoming harder to acquire. It may be too late to snap one up if you have not all ready.

G&L F-100 1980

Well maybe not too late.

In 2007, the walls of Fender Avenue where once again rocking with the tone and technology of the F-100. G&L had not forgotten their first and did a limited run of the F-100 called the G&L F-100 Return Edition.

G&L F-100 Return Edition 2007

Two years later after the success of the original and the Return edition, G&L has introduced the G&L F-100 into their regular production line once more. Guitar Adoptions is pleased to announce the reintroduction of the F-100 to their regular production line up once again.

G&L F-100 in Natural Gloss

G&L F-100 Specifications:

  • BODY WOOD: Mahogany
  • BODY FINISH: Natural Gloss
  • NECK WOOD: Hard Rock Maple with Rosewood fingerboard
  • NECK WIDTH / RADIUS: 1 5/8” Width at Nut; 12” Radius (G&L #1B spec)
  • FRETWIRE: Medium Jumbo 6100
  • TUNERS: G&L/Schaller Non-locking
  • NECK FINISH: Satin finish
  • PICKUPS: Two custom wound Magnetic Field Design humbuckers
  • CONTROLS: 3-Way pickup selector Volume Tone with Push/Pull coil split for both pickups (outer coils activated)
  • BRIDGE: G&L Dual Fulcrum
  • CASE: Black G&G Deluxe Tolex with black plush lining

They say you never forget your first. It may be because of the newness of the experience, the emotion of discovery , the raw power of tackling the unknown and achieving greatness if only in your mind. No matter how far removed you may find yourself in life from your first, I would bet that from time to time you reflect upon it. As guitar players we are lucky that G&L has taken steps to help us keep our memories alive in the F-100.

Thank You Mr. Buffett

Wednesday, August 19th, 2009

And before you think too fast on this and who could blame you, this being a guitar related blog and all, I am not referring to the Mr. Buffett who gave us the advice to waste away in Margaretville or get drunk and screw. All valid nuggets of advice for sure, but to the other well known Mr. Buffett, as in Warren. He said:

“Value is what you get.”

And though the former Mr. Buffett’s quotes are a lot more fun than thought provoking, I thank the latter Mr. Buffet, for giving me an entry into this post, with his idea of value. What is value and how can one place value when it comes to buying a guitar? It is one of the oldest tricks we play on ourselves when squelching the call of that demanding mistress known as Guitar Acquisition Syndrome, or G.A.S. We convince ourselves that what we are about to acquire is indeed a good value and no logical person would pass it up. But do you really consider the value of your purchase and if you wanted to take a step back and consider value in terms of buying a guitar, what questions would you ask yourself?

When it comes to buying a guitar value can be debated in many contexts.

Picture an empty school gym and a circle of chairs. Got it. Now picture that guy standing there in middle saying, “My name is…and I am a G.A.S. addict”. That guy, he was me. I never really had an understanding the idea of the value of my instruments. My concept of value was strictly in the context of the cheapest for the money and ability to add my ever-growing collection of guitars. I was proud of the size of my collection. I was proud of the perceived value of the total out of pocket cost to acquire that collection but then one day I had a realization. I was not proud of the build quality of the instruments or the differences in the tone woods to provide for a variety of sounds. And more importantly I was not proud of how they made me sound as a player or the inspiration they inspired in my playing. This is when I took a huge leap of faith, for me at least. I sold the collection and set out to discover the idea of value.

Resale Value

Sadly this was the first lesson I learned. The old saying, you get what you pay for, when you go to sell it, you get half of that in most cases if you are lucky. Although we all hope to bond with our guitars and forge a partnership for life with it.  You may at some point have the opportunity to sell that guitar. When purchasing a guitar, resale value should not be your leading cause for purchase but it is okay to consider that option and what return you will have on your investment should the occasion arise. The general rule I have discovered and feel safe in backing, the better your instrument in terms of build quality, tone woods, reputation of builder, the better your odds for recouping more of your initial cost. So that lower priced import may seem like a bargain today but in the life of the guitars investment will it really be? If you buy a $300 guitar today but can only sell it for $100 in a year, is that a better value than the $700 guitar that you could sell for $500 in 4 years?

 

Quality Value

There is a reason we have a booming vintage market today. Builders build their guitars to last. Inflated for today’s dollar, these guitars would not be in our current market what we reflexively label as value models. Now that is the perceived fiscal value of a lower cost to acquire, but when we consider the quality of the build versus out of pocket expense, you can begin to see the true value of the guitar. If you ever have the opportunity to visit the factories of a higher end builder, take the tour, once you see how much goes into the construction of your guitar you will begin to see where the value in building quality begins to take shape. Again a $300 guitar that last a few years versus a $1000 guitar that will last a 100 years. Which guitar has better value in that context?

 

Personal Value

Now this is a question that lacks a chart or diagram that I can point you towards to understand the concept. The personal value that the guitar brings to you can only be quantified and assessed by you. I must confess that I took a break from writing this and strummed a few chords on one of my, what I considered to be expensive guitars when I bought it. And even all this time later I still get goose bumps when I play it. How can I associate a value with that? Your guitar is an investment in you. It is in investment on what Cameron Crowe called “pure joy”. If you take your answers to the above mentioned questions raised in this post:

Is it a good investment financially? Is it a quality build that will act as a better tool for my passion for music?

Add them together and  you may begin to see where you can create and define that value to yourself. That personal value, that pure joy you get when you play the guitar. Now, one can certainly argue that the act of playing music is in of itself the goal, but I would argue that given the right tools, any passion can be amplified to the next level and you may find yourself stopping one day after all of the stress and worry of buying that “more expensive” guitar is over, and say, wow I did not realize I had it in me. The idea of the muse inspiring art has been around since, well, art.

Value is what you get. And at the end of the day no one can really help you come to terms with the value you get from your instrument purchase, there are plenty of logical rational arguments that can help ease your mind of what ever worry you may have to bear down on, but at the end of the day, all I ask is that you take a step back and ask yourself those questions. The goal of music is to inspire. I want to be inspired when I play it and I want to be inspired when I hear it. And to get both, we here at Guitar Adoptions want to make sure you are getting the best value for your dollar and more importantly, the best value for your soul. The next time sticker shock raises it ugly head, take a breath and remember what Mr. Buffet said:

Come Monday it will be all right………

The Art of the Pickup

Wednesday, August 5th, 2009

And no I do not mean getting the girl, although the sound of an amplified acoustic can be just as effective as any mating call one might discover on National Geographic. I am referring to acoustic pickups that be added into an acoustic guitar after the fact to give you that amplified tone for stage or recording. If it is indeed your goal to woo the opposite sex with your dulcet tones of wood and steel you have a few choices as to how to get the most of your existing guitar.

Fishman Pickups

Fishman has been helping to bring the most out of guitars since the early eighties and their knowledge and respect in the guitar building world, translates over into the products they create. The Fishman Matrix Infinity is a completely redesigned active, end-pin mounted preamp, under saddle pick up combination. The Fishman Matrix Infinity was designed to enhance the sound of any acoustic instrument from Classical to Jumbo. It features a sound-hole mounted rotary control system to control both the volume and tone of the output and has switchable voicing to compliment any style of body size you wish to install the pick up in. And speaking of installation, this one is a solder-less connection with very straight forward installation. The theory is that you save the best for last but in the case of Fishman Matrix Infinity we may have just jumped off with the best first. The Fishman Matrix Infinity is an amazing piece of kit for a price that will work with any budget, any style, and any guitar you throw at it.

Fishman Matrix Infinity

Fishman Matrix Infinity


LR Baggs Pickups

Lloyd Baggs began as a guitar builder in the seventies and has remained a name in the industry ever since his early days rebuilding old Gibsons and Washburns. LR Baggs as a company has thrown that experience into a pickups that will meet any budget and performance needs. The I-Beam Pick-up is a budget bridge plate transducer that provides the sensitivity and fidelity of top quality studio mics. This is a great pickup for those on a budget and who do not need or want a preamp or tone or volume controls, etc. The I-Beam Active Pick-up is the same transducer mic as the I-Beam Pick-up but adds in and end-pin preamp. The LR Baggs IMIX System is going to give you the most control by adding in a FET preamp/processor and the LR Baggs Element under-saddle pick up for dual source sound amplification. The LR Baggs LB6 pickup is an extremely stable under the saddle pickup that is built for high volume stage environments, if you are rocking it out in a band this is a solid and classic choice of pickup.

LR Baggs

LR Baggs IMIX

K&K Pickups

K&K offers a variety of sound transducers for acoustic guitars. The K&K Pure Western is a straight forward as they come with a singular focus on presenting the amplified sound of your vibrating sound board as unfiltered as it can. For the player who has a specific sound in mind K&K steps it up with a few system options. The K&K Mini System adds a mic and a preamp to the sound transducers. The K&K PowerMix Trinity System steps up the preamp to a 3 channel PowerBlend Preamp and adds in an under-saddle pick up as well. The Quantum Trinity System takes it to eleven by adding two full independent channels to the preamp.

KK Pickups

K&K Pure Western


Schertler Pickups

If you read our post on amps, you know our stance on Schertler products. These pickups are going to run in the upper end of your budget but if you know what sound you are after and want to match the quality of your guitar with quality electronics then Schertler has some pickups to consider. The Schertler Bluestick UST is an under the saddle pickup that places the equivalent of a studio-grade condenser mic under your saddle. The Schertler Dyn-G is a dynamic transducer mic that goes on top of your sound board so no modification what so ever is required to your guitar. The Schertler Dyn-G is replicates the sound of a studio mic but without the onstage problems of bleed or feedback.

Schertler Pickups

Schertler Dyn-G

When it comes down to deciding which of the above is right for you there are a few things to consider:

  1. How much control do you want over the electronics?
  2. How much modification or installation do you want to make to your guitar?
  3. What playing environments are you going to be in?
  4. Budget?

As you can see from the options given you should be able to find the right pickup to fit any need and answers from the list above. Once you have answered these questions you can narrow down your choices of pickup and make your decision. What ever you decide these companies have provided the options for you to amplify your tone and send that call out into the wild, although I can guarantee that you will be happy with the sound that any of these choices gives you, we can not, sadly, provide any guarantee that your call will be headed by members of the opposite sex. We can only give you the tools and wish you the best of playing and the best of luck in your art of the pickup.