Posts Tagged ‘Larrivee Guitars’

Guitar of the Day — Larrivee RS2 in Artic White

Wednesday, August 18th, 2010

I admit right now and openly that I am huge Apple geek. For a time, there was nothing in the design world that got my heart racing more then the site of an iMac or Laptop in that great Apple White. And then of course there is the Beatle’s  “White” album. Well I can tell you that my sunburst guitars are gently weeping at the site of our Guitar of the Day, an exclusive to Guitar Adoptions, the Larrivee RS2 in Artic White.

The Larrivee RS2 in Artic White features:

WOODS

Body:  South American Mahogany

Neck:  One Piece South American Mahogany

Fretboard:  Indian Rosewood

Headstock:  Ebony

MEASUREMENTS

Scale Length:  25.5” or 650mm

Upper Bout:  9.875

Waist:  8.125”

Lower Bout:  13”

Body Thickness at Edge:  1.5”

Overall Length:  38.75”

Nut Width:  1 & 11/16th” or 43mm

Weight:  approx. 8 lbs.

TRIM/CONSTRUCTION

Neck Join:  Extra Long Mortis & Tenon, Glued in

Headstock Overlay:  Ebony

Fretboard Binding:  Ivoroid w/Black Side Dots

Fretboard Inlay:  Abalone Dot Inlays

Heelcap:  Ivoroid

Knobs:  Speed Knobs

Backplates:  Textured Black

Cutouts:  Back & Cutaway

Metal Hardware:  Nickel & Chrome

HARDWARE

Tuners:  Kluson tulip style Tuners

Pickups:  Larrivee custom wound humbuckers

Bridge:  Tonepros T3BT-N Nickel Bridge

Tail:  Tonepros T1Z-N Nickel Tail

3-Way-Switch:  Switchcraft Short Toggle Switch

End-Pin Jack:  Switchcraft ¼” Mono Jack w/Short Thread

Potentiometers:  CTS Long Shaft 500k Audio Pots

Capacitors (Bridge):  Luxe Bumblebee Paper-in-oil (PIO) 0.022mF

Capacitors (Neck):  Luxe Bumblebee Paper-in-oil (PIO) 0.015mF

Strap Buttons:  Schaller Strap Locks

Truss Rod:  Single Action Coated Steel Rod

Truss Rod Adjustment:  Mini Spoke-Nut design on Final Fret

Strings:  D’addario Electrics

Guitar Case (included):  Custom Fit Wooden Case with Black faux fur Lining (Made in Canada)

Guitar of the Day – Larrivee RS4 Custom All Mahogany

Wednesday, April 14th, 2010

For today’s Guitar of the Day post the possibilities for puns and allegory abound but I promised myself I would not do another one of those posts. But I am weak and what is not to love about saying, Larrivee has gone whole hog on this RS4 or Larrivee brings home the bacon, or….Okay you get the idea. Our Guitar of the Day is one of my personal favorites as I have a huge affinity for mahogany guitars and this one is a stunner. The Larrivee RS4 Custom in all Mahogany is our Guitar of the Day.

The Larrivee RS4 Custom in all Mahogany features:

WOODS

Core Body: South American Mahogany

Top Plate: Extra Thick Mahogany

Neck: Single Piece South American Mahogany

Fretboard: Indian Rosewood

Headstock: Indian Rosewood

MEASUREMENTS

Scale Length:  25.5” or 650mm

Upper Bout:  9.875

Waist:  8.125”

Lower Bout:  13”

Body Thickness at Edge:  1.5”

Overall Length:  38.75”

Nut Width:  1 & 11/16th” or 43mm

Weight:  approx. 8 lbs.

TRIM/CONSTRUCTION

Neck Join: Extra Long Mortis & Tenon, Glued in

Headstock Border: Sterling Silver

Headstock Logo: Mother of Pearl

Fretboard Binding: Ivoroid w/Black Side Dots

Fretboard Inlay: Mother of Pearl & Abalone V-Block Inlays

Body: Black Celluloid with Multi-Strip Purfling

Heelcap: Ivoroid

Pickup Rings: Curved Plastic

Knobs: Speed Knobs

Backplates: Textured Black

Cutouts: Back & Cutaway

Metal Hardware:  Gold

HARDWARE

Tuners: Schaller M6 Tuners

Pickups: Larrivee Custom Pickups with Gold covers

3-Way-Switch: Switchcraft Short Toggle Switch

End-Pin Jack: Switchcraft ¼” Mono Jack w/Short Thread

Potentiometers: CTS Long Shaft 500k Audio Pots

Capacitors (Bridge): Luxe Bumblebee Paper-in-oil (PIO) 0.022mF

Capacitors (Neck): Luxe Bumblebee Paper-in-oil (PIO) 0.015mF

Strap Buttons: Schaller Strap Locks

Truss Rod: Single Action Coated Steel Rod

Truss Rod Adjustment: Mini Spoke-Nut design on Final Fret

Strings: Cleartone Electrics

Guitar Case (included): Larrivee Custom Fit Wooden Case with Blue Velvet Lining (Made in Canada)

Head on over and take a closer look and a listen.

Guitar of the Day – Larrivee P-03R Rosewood Parlor

Wednesday, December 9th, 2009

A Rosewood by any name may not smell as sweet as our Guitar of the Day, the Larrivee P-03R Rosewood Parlor.

Just arrived at Guitar Adoptions the Larrivee P-03R Rosewood Parlor features:

  • Satin finish
  • Solid Rosewood back and sides (East Indian)
  • All solid wood construction
  • 3 piece South American Mahogany Dovetail Neck
  • Canadian Spruce Soundboard
  • African Ebony Fretboard & Bridge
  • Flamed Canadian Maple Body Binding
  • Symmetrical X-Bracing
  • Dovetail Neck Joint
  • Rounded Headstock with Rosewood overlay
  • Ping “Mini” Tuners (18:1 Ratio) with Chrome buttons
  • Exclusive Beveled Tortis pickguard
  • Herringbone Rosette
  • Ivoroid Fretboard Binding
  • Silver Microdot Fretboard Inlays
  • D’addario Medium Gauge Strings
  • Tusq nut and saddle
  • Larrivee Limited Lifetime Warranty

Larrivee P-03R Rosewood Parlor Specifications:

Lower Bout: 13.125”
Upper Bout: 9.125”
Waist: 7.875”
Depth: 4”
Scale Length: 24”
Nut Width: 1 & 3/4””
Fretboard Radius: Compound (16” to 21”)
Setup for Medium Gauge Strings
Frets: Nickel/Silver
Frets: Width: 2.5mm (0.0985”)
Frets: Height: 1.0mm (0.0394”)
Larrivee’s finish is UV cured polyester

Extras Included in Price:

Larrivee deluxe hard-shell included
Care Booklet / Warranty Card
Truss Rod Wrench

Larrivee started building their first Parlor guitars on July 6th, of 1999. Today the Larrivee Parlor has become the parlor guitar by which all others are measured. Quality, tone, workmanship, and playability– all wrapped-up in an affordable package! And now for a limited time, the reintroduction of the satin Parlor that started it all.

Larrivee P-03R Rosewood Parlor

Guitar of the Day – Larrivee PV-09 Flamed Maple Sunburst Parlor

Thursday, October 15th, 2009

For our Guitar of the Day we set this parlor on fire. And by parlor I am speaking of the Larrivee PV-09 Flamed Maple Sunburst Parlor, not the front of the house. Although perched on a stand in that front room, one could argue that the temperature in the room would certainly go up.

The Larrivee PV-09 Flamed Maple Sunburst Parlor features:

Gloss finish
Flamed Maple back and sides
All solid wood construction
Single Piece Mahogany Neck (S. American) Canadian Sitka Spruce Soundboard
African Ebony Fretboard & Bridge
Flamed Canadian Maple Body Binding
Symmetrical X-Bracing
Dovetail Neck Joint
Rounded Headstock
Pearl Inlaid Logo with Silver Headstock border
Ping “Mini” Tuners (18:1 Ratio) with Chrome buttons
Tortoise pick-guard
Ivoroid Fretboard Binding
Silver Microdot Fretboard Inlays
D’addario Light Gauge Strings
Will Handle Medium Gauge Strings
Larrivee Limited Lifetime Warranty
Lower Bout: 13.25″
Upper Bout: 9.5″
Waist: 7.75″
Depth: 4.0″
Scale Length: 24″
Nut Width: 1 & 3/4″” (44.3mm or 1.75″)
Fretboard Radius: Compound (17″ to 21″)
2 3/16″ string spacing at the bridge Setup for Light Gauge Strings
Frets – Nickel/Silver
Frets – Width: 2.5mm (0.0985″)
Frets – Height: 1.0mm (0.0394″)
Gloss Urethane
TUSQ Nut & Bone Saddle

Extras Included in Price:

Larrivee arch top Hard-shell case included
Care Booklet / Warranty Card
Truss Rod Wrench

Larrivee PV-09 Flamed Maple Sunburst Parlor

Guitar of the Day – Larrivee L-09 Custom Quilted Sapele

Monday, September 14th, 2009

Continuing our need to talk about guitars and more importantly provide you all with topic starters, our Guitar of the Day is the Larrivee L-09 Custom Quilted Sapele.

Some people are leg men, some prefer the gleam of a nice smile, not to be too personal but I am a back man myself. And boy do this guitar have a back. Before we jump to the quilted goodness that is this guitar, remember to sign up for our newsletter and RSS feed so you can get instant updates on our Guitar of the Day, you may never know what kind of wonderful price we are offering on the Guitar of the Day. For instance, put this one in your shopping cart to see our price. I dare you not to buy it. And to persuade you. On to the pics.

The Larrivee L-09 Custom Quilted Sapele features:

Quilted Sapele Back & Sides (South African)
Single Piece Mahogany Neck (S. American)
Canadian Red Sitka Spruce Soundboard
African Ebony Fretboard & Bridge
Multi Layer Maple Body Binding
Abalone Rosette
Symmetrical X-Bracing
Dovetail Neck Joint
Abalone Vine headstock inlay with Sterling Silver Headstock Border
Gold plated Ping Tuners (18:1 Ratio) with Ivoroid buttons
Ivoroid Fretboard Binding
Microdot Fretboard Inlays
Ebony Bridge Pins w/ Abalone Center
Traditional Larrivee Tortoise style Pickguard
Light Gauge Strings
Will Handle Medium Gauge Strings
Limited Lifetime Warranty

The Larrivee L-09 Custom Quilted Sapele specs:

Lower Bout: 16″
Upper Bout: 11.625″
Waist: 10.25″
Depth: 4.75″
Scale Length: 25.5″
Nut Width: 1 & 3/4″ (44.3mm or 1.75″)
Fretboard Radius: Compound (17″ to 21″)
Setup for Light Gauge Strings
Frets – Nickel/Silver
Frets – Width: 2.5mm (0.0985″)
Frets – Height: 1.0mm (0.0394″)
Gloss UV Polyester Body / Satin Urethane Neck
TUSQ Nut & Bone Saddle

New style Arch-Top Case Included
Care Booklet / Warranty Card
Truss Rod Wrench
Larrivee Micro-fiber Polish Cloth

To unapologetically quote Sir Mix A Lot, “baby got back.”

 

 Larrivee Guitars

 Larivee Guitars

Larrivee Brings the Whole Hog Back to the Parlor, And It Ain’t BBQ

Friday, July 17th, 2009

Summer NAMM 2009.

Just in case you don’t get my reference, in the world of guitar tone woods Mahogany has been known to be short handed as Hog, as in an all Hog guitar.

Larrivee P-03 Parlor

Larrivee P-03 Parlor


Larrivee re-introduces the P-03 model Mahogany Parlor for a limited time. The P-03 comes with a an impressive list of specs.

  • Satin finish
  • Solid Mahogany back and sides (South American)
  • All solid wood construction
  • 3 piece South American Mahogany Dovetail Neck
  • Canadian Sitka Spruce Soundboard
  • African Ebony Fretboard & Bridge
  • Flamed Canadian Maple Body Binding
  • Symmetrical X-Bracing
  • Dovetail Neck Joint
  • Rounded Headstock
  • Ping “Mini” Tuners (18:1 Ratio) with Chrome buttons
  • Tortoise pick-guard
  • Herringbone Rosette
  • Ivoroid Fretboard Binding
  • Silver Microdot Fretboard Inlays
  • D’addario Medium Gauge Strings
  • Tusq nut and saddle
  • Larrivee hard shell case

Larrivee started building their first Parlor guitars on July 6th, of 1999. Today the Larrivee Parlor has become the parlor guitar by which all others are measured. Quality, tone, workmanship, and playability– all wrapped-up in an affordable package! And now for a limited time, the reintroduction of the satin Parlor that started it all.

It is time to throw on your bib, grab some wet wipes and dig into this Hog coming soon to Guitar Adoptions.

Acoustic Players Put Your Foot Down!

Sunday, July 12th, 2009

I got rhythm, I got music, I got an Ellis Stomp Box?

Quick poll. How many of you acoustic guitar players play solo and more importantly find yourselves tapping your foot as you play? Follow up question. How many of you acoustic players find yourselves, if only for a second, staring longingly at the pedals and gadgets that the electric player that went on first had before them?

There is no denying the magic that happens when one sets out to make music on six strings and wood but as much as we enjoy the music of our solitude, there is no denying that done well, music is at its best when it is a choir of many voices, so to speak.  As an acoustic guitar player we are limited in our options of ways to add voices to that choir, and certainly as solo players, we have fewer options.

Coming back around to the poll you took earlier, Ellis Guitars, out of Australia, has created a tool, that if you have not seen yet, you should definitely take a few minutes and give it a listen.

What is it? Do you find yourself wishing you could add some percussion to your live set? Well now you can and the best part is that you are merely amplifying a natural reflex that you probably all ready have in your show. Tapping your foot. Think of it as an amplified floor.

Ellis Acoustic Stompbox

Ellis Acoustic Stompbox

The Ellis Stomp Box is hand crafted from two pieces of wood, a pick up inside, and a standard 1/4 inch output jack. Finished it is about the width of a CD case. Plugged into an amp or a PA the Stomp Box, will produce a variety of sounds depending on where you tap the box. Want to add some deep, low percussion, run it into a bass amp, want to play with your tone, hook into a PA and play with the EQ until you find the sound the fits you. Pair the Stomp Box with say a Larrivee LV-03RE and you are ready to make some music. Want to go even further? Check out Kaki King and her Stomp Box.

That is correct, Kaki King, Ash Grunwald, Pete Lockett and Phil Keaggy are counted amongst the artists who use a Stomp Box both in the studio and live.  If that seems like name dropping, it totally is, but only to serve the purpose of making a point. That point is that as we all become masters of our craft, we should be open to expanding the tools we use to reach our audience.

The Ellis Stomp Box is not some cutting edge piece of electronic wizardry, and that is the true beauty of it. It is what we as acoustic players love the most. It is wood, is simple in mechanics yet complex in sound, it a chance to add a pedal to our road cases and say, “how you like me now, Mr. Electric Pedal Guy”.

I think you will find them saying, “ I like it.”

See and hear the Stomp Box In Action

How to Choose an Electric Guitar

Thursday, July 9th, 2009

With so many options out there, choosing the right electric guitar can be overwhelming. The good news is that Guitar Adoptions offers electrics for any sound, style, and budget. Plus, we have the expertise to help you find what you are looking for. We sell only top quality brands like G&L, Larrivee, Flaxwood, Delilah, Michael Tuttle and Giffin.

First, take a minute to think about what you are looking for. Do you want a loud, crunchy rock guitar or a cleaner sound for blues and jazz? How about a classic look or a more modern extreme vibe? Do you need a fast slim neck or something beefier to hold onto? Once you’ve got your wish list, focus on the three main characteristics of any electric: Sound, Feel, and Looks. Let’s start with the sound, which is probably why you’re buying the guitar to begin with.

Sound

The materials used on electric guitars, and the quality of construction affect tone as much as anything else. The woods used for guitar necks and bodies, such as mahogany, maple, alder, and spruce each have their own tonal qualities. Larrivee, known the world over for their acoustics, uses only the best mahogany and maple on the superb Larrivee RS-4 electric guitars. Electric guitars can be classified into three basic body types, each with its own distinct sound characteristics.

Larrivee RS-4

Larrivee RS-4

• Solid-body electric guitars, the most popular style, are made of wood or composites. Fender Strats, Telecasters, and the Gibson Les Paul are all solid body guitars. Solid-body guitars work well for most styles of music, especially rock, country, and blues.

• Semi-hollow body electric guitars look like their solid cousins but have a hollow cavity. This creates a more acoustic sound while letting the guitar maintain an amplified electric tone. An example is the G&L ASAT Classic Semi-Hollow series, which is modeled after the Telecaster shape but has better pickups and build quality.

• Hollow-body electric guitars provide even more of an acoustic sound and are very popular in the jazz scene due to their open, warm tone. The Giffin Standard Hollowbody comes in a comfortable size and plays like a dream. Plus you can custom order options on these wonderful hand-built guitars.

Not all electric guitars are made of solid wood. Flaxwood guitars, like the Flaxwood Laine, are made of an injection molded wood composite. This allows a Flaxwood to sound vintage right out of the box with more sustain and dynamic range.

Flaxwood Laine

Flaxwood Laine

If the materials and build quality make up the guitar’s “chassis”, then pickups are the engine behind the sound. They normally come in two flavors:

• Single-coil pickups have a bright, clear, thin tone and are popular for blues, jazz and rock. Many guitarists swear by their pure sound and wide range of tonal options. The very popular G&L ASAT Classic comes with two Magnetic Field Design single-coil pickups that are a step above competitor’s offerings. These pickups give the guitar its trademark bark and warmth.

• Humbucker pickups are double-wound to eliminate noise interference (hence the name “humbucker”). They produce a “fat”, solid tone and are preferred by those who play with lots of distortion or like a warmer tone. To mix things up, the G&L ASAT Classic Bluesboy combines a Seymour Duncan Seth Lover humbucker in the neck position and a MFD single-coil at the bridge, offering an expanse of sound options and enhanced versatility.

Feel

A guitar with a great feel, or playability, is like a fitted glove. The feel is centered on the neck profile and width. There are many profiles, such as a “C”-shape, “V”-shape, or oval, so try out a few. A thicker shape may work well if you have long fingers. Also, the setup of a guitar is crucial. Determine what action (string height) feels best. G&L guitars are unique because they are setup on a Plek machine. The advanced Plek process actually scans the neck to determine optimum setup and guarantees maximum playability and intonation.

Looks

Face it, you want a guitar that not only sounds great, but looks good too. The shape of an electric guitar doesn’t impact the sound as much as the body style, so choose a shape that appeals to you. Plus, most any pickup configuration can be found on any body style, so you will be able to find the look you want and the sound to go along with it. The possibilities are limitless. You can choose from the elegant, classic lines of a G&L Legacy or go for the more radical look of a Flaxwood Rautia. It’s all up to you!

G&L Legacy in Old School Sunburst

G&L Legacy in Old School Sunburst

Go Custom!

If you want to be in complete control of the sound, feel, and look of your guitar, go the custom build route. You can select from many options to build your perfect guitar. Guitar Adoptions is proud to offer custom electric guitars by G&L, Michael Tuttle and Delilah Guitars. We’ll work with you to create your own masterpiece and have it built just for you!

Now you have what it takes to put the whole package together. Give Guitar Adoptions a call today. We would love to answer your questions and guide you towards your next dream guitar!

Rosewood and Mahogany

Thursday, July 2nd, 2009

Or How I Stopped Worrying and Loved the Guitar

So you have taken the first step in getting a new guitar. Great! What now? Let’s talk about tone woods. You may have heard, “Rosewood or Mahogany?” in your great search for that new guitar. And I would bet that you stopped and wondered to your self, “Which is better?” Well for guitar makers and players all over the world it has kind of become the wooden equivalent of the Coke or Pepsi challenge.

Seek and ye shall find a large pool of opinions and debates and downright arguments when it comes to Rosewood V. Mahogany but as a new buyer or a player who has come to the realization that the wood from whence the guitar is built can affect the sound that shimmers forth when you strum that G chord. Is there a simple way to understand this age old debate? The simple answer is…hopefully.

Step One: Understanding the tone.

Mahogany has a long history of use in the building of guitars due to its natural strength and its ability to create dark, warm tones. In your search you will also find words thrown about describing Mahogany as, woodsy and less complex with a great midrange and an attack that rolls of quickly. Rosewood also has a hold on history as a tone wood in guitar construction. Rosewood is known for its striking looks and ability to create bright tones. You will also hear words such as articulate and complex with more sustain, overtones, and a fuller bottom end and treble range. The short and the sweet of it, is that your ears are the final authority on how the guitar sounds, but these descriptors are a fairly good survey of players and builders from around the world, describing how they interpret the sound of these two tone woods.

Larrivee D-50 Traditional

Larrivee D-50 Traditional

Step Two: Chasing the tone.

With a solid wood, well built guitar you may have a harder time detecting a dramatic difference in the tone woods and luckily there are few really great builders out there who understand the affect of these woods on tone. The great builders offer the same models built using Rosewood and Mahogany, a great way to experiment with your understanding of tone. Larrivee offers their D-03 model in Mahogany or the D-03R, in Rosewood. This model represents a great value and provides you the option to choose either tone wood using the same build. Guild offers their D40 Bluegrass in a Mahogany, while the D-50 Bluegrass will cover your Rosewood needs. You may also look at different styles of guitar. Morgan offers their Grand Concert with Mahogany but uses Rosewood on its Traditional Dreadnought and Traditional Jumbo guitars. You can also look to different builders to compare, take the Larrivee 000-50, a Mahogany guitar and compare it to the Northwood R80-MJ, a Rosewood guitar. The idea here is in chasing the tone, you have a variety of builders and price points to compare before settling on which tone wood works best for you. In the end, as much as we all may resist it, you will end up getting one of each.

Northwood R80-00 14 fret

Northwood R80-00 14 fret

Ultimately one can not be told which is better and why because this is such a subjective, user experience. The question should not be “Which is better Rosewood or Mahogany?”, but rather “Which wood moves you, the player the most?” Every great player or great builder is in search of the tone. That sound that grabs you and inspires you to put string to wood and make that connection with all things music.

This where the “hopefully” comes into when seeking an answer to the question of the differences between Rosewood and Mahogany, for there really is no definitive answer to that question. You can pick up on some of the ideas of tonal differences, Mahogany being warmer or Rosewood being brighter, and these ideas are a great place to start. But at the end of the play (as in the guitar), only you can decide which wood you prefer. But remember that in the eternal debate of Coke or Pepsi, both, in their own right will satisfy your thirst. And in quenching the parchment of musical desire, we are all lucky to have builders like Larrivee, Guild, Northwood and Morgan offer a variety of models to sate our need.

And to think you have not even gotten into body shapes and bracing patterns, but that, is for another discussion….

Sneek Peek at the new Larrivee Rootbeer burst

Thursday, July 2nd, 2009

Larrivee is introducing several new colors for their RS-4 electric guitar at the NAMM Show this month.
This Rootbeer burst pictured is one of several new colors being revealed. Stay tuned for updates on more colors and options!

Larrivee RS-4 Rootbeer burst

Larrivee RS-4 Rootbeer burst