Posts Tagged ‘LR Baggs Pickups’

Pickup Of The Day… – LR Baggs Anthem SL

Monday, June 28th, 2010

…and maybe of the year. Guitar Adoptions presents our newest entry into the “of the day” headers, the Pickup of the Day and I do not mean the geeky guy getting the supermodel against all odds. Our Pickup of the Day is the LR Baggs Anthem SL.

For those of you who prefer a minimalist approach to controls, we offer the LR Baggs Anthem SL. In the LR Baggs Anthem SL the balance between the Tru-Mic and Element pickup is pre-set for optimum performance so you can have the same great fidelity in an end pin preamp format. The preamp, with our famous all-discrete studio quality circuitry, is also equipped with a soundhole mounted volume control.

Features

  • Anthem Tru-Mic carries the majority of the guitars’ frequency range· The mic is highly feedback-resistant
  • Noise cancelation eliminates any annoying honky or boxy qualities inside the guitar
  • The Element Pickup carries only the lowest frequencies
  • One size fits most common string spacings and saddle widths
  • Even string-to-string balance
  • Pre-set mic and pickup for optimum performance
  • Soundhole remote includes volume and mic trim controls
  • Pre-contoured discrete class A endpin preamp with preset crossover
  • Comes with Battery Bag for secure and unobtrusive battery retention

Specs

  • Tru Mic dimensions: 2.27” x .735” x .48”
  • Tru Mic weight: 0.5 oz
  • Pickup active sensor length: 3.4″
  • Pickup thickness: .038″
  • Pickup width: .092″
  • Battery type: Single 9V
  • Battery life: 170 hrs.
  • Mic range: 250Hz – 20kHz

Perfect Acoustic Tone?…It’s in the Baggs…

Thursday, September 3rd, 2009

A few years ago The Music Trades magazine dubbed Lloyd Baggs a “fearless innovator”. If you are still in need of some tangible proof of this label, all you need to do is take a look at the L.R. Baggs Venue D.I.

The L.R. Baggs Venue D.I. is a discrete acoustic guitar preamp that combines a transformer-coupled D.I. output for maximum isolation, an EQ specifically tuned for acoustic guitars, a variable boost control to compliment your playing styles, and a chromatic digital tuner to help you stay in tune. Combining these features from at least three foot pedal boxes into one pro box, the new Venue DI brings a new level of fidelity, confidence and usefulness to performing acoustic musicians. The L.R. Baggs Venue D.I. is the most comprehensive and best sounding tool ever to tame the surliest stage.

Additional features include a 5-band EQ with tunable low and hi mid bands, phase inversion, Garrett Null notch, precision VU meter for accurate gain adjustment, DC input for use without battery and a 4-segment battery check gauge.

Teamed up with your amp, the purpose of a digital interface is to allow you to translate your accoustic gutiars natural voice to the widest audience possible  and the L.R. Baggs Venue D.I. allows you to recreate the natural tone of your guitar and if so inclined use it’s advanced E.Q. to dial in the voice that best represents your guitar while allowing you to also find new voices for that song inside you.

L.R. Baggs has taken all of the tools you would need as a gigging musician and literally layed them at your feet. But fear not home hobby players, we all know that we secertly plug in and turn it up to eleven even it is only for an audience of one, and the L.R. Baggs Venue D.I. is a tool that any acoustic guitarist who owns an amp would be proud to have in their tool box.

Guitar Adoptions is pleased to announce the arrival of the L.R. Baggs Venue D.I. Check out our post on finding an acoustic amp and you will have a perfect combo, and a reminder that our passion for what we do would not be nearly as fun, or sound nearly as good if it was not for people like Mr. Lloyd Baggs.

L.R. Baggs Venue D.I.

L.R. Baggs Venue D.I.

The Art of the Pickup

Wednesday, August 5th, 2009

And no I do not mean getting the girl, although the sound of an amplified acoustic can be just as effective as any mating call one might discover on National Geographic. I am referring to acoustic pickups that be added into an acoustic guitar after the fact to give you that amplified tone for stage or recording. If it is indeed your goal to woo the opposite sex with your dulcet tones of wood and steel you have a few choices as to how to get the most of your existing guitar.

Fishman Pickups

Fishman has been helping to bring the most out of guitars since the early eighties and their knowledge and respect in the guitar building world, translates over into the products they create. The Fishman Matrix Infinity is a completely redesigned active, end-pin mounted preamp, under saddle pick up combination. The Fishman Matrix Infinity was designed to enhance the sound of any acoustic instrument from Classical to Jumbo. It features a sound-hole mounted rotary control system to control both the volume and tone of the output and has switchable voicing to compliment any style of body size you wish to install the pick up in. And speaking of installation, this one is a solder-less connection with very straight forward installation. The theory is that you save the best for last but in the case of Fishman Matrix Infinity we may have just jumped off with the best first. The Fishman Matrix Infinity is an amazing piece of kit for a price that will work with any budget, any style, and any guitar you throw at it.

Fishman Matrix Infinity

Fishman Matrix Infinity


LR Baggs Pickups

Lloyd Baggs began as a guitar builder in the seventies and has remained a name in the industry ever since his early days rebuilding old Gibsons and Washburns. LR Baggs as a company has thrown that experience into a pickups that will meet any budget and performance needs. The I-Beam Pick-up is a budget bridge plate transducer that provides the sensitivity and fidelity of top quality studio mics. This is a great pickup for those on a budget and who do not need or want a preamp or tone or volume controls, etc. The I-Beam Active Pick-up is the same transducer mic as the I-Beam Pick-up but adds in and end-pin preamp. The LR Baggs IMIX System is going to give you the most control by adding in a FET preamp/processor and the LR Baggs Element under-saddle pick up for dual source sound amplification. The LR Baggs LB6 pickup is an extremely stable under the saddle pickup that is built for high volume stage environments, if you are rocking it out in a band this is a solid and classic choice of pickup.

LR Baggs

LR Baggs IMIX

K&K Pickups

K&K offers a variety of sound transducers for acoustic guitars. The K&K Pure Western is a straight forward as they come with a singular focus on presenting the amplified sound of your vibrating sound board as unfiltered as it can. For the player who has a specific sound in mind K&K steps it up with a few system options. The K&K Mini System adds a mic and a preamp to the sound transducers. The K&K PowerMix Trinity System steps up the preamp to a 3 channel PowerBlend Preamp and adds in an under-saddle pick up as well. The Quantum Trinity System takes it to eleven by adding two full independent channels to the preamp.

KK Pickups

K&K Pure Western


Schertler Pickups

If you read our post on amps, you know our stance on Schertler products. These pickups are going to run in the upper end of your budget but if you know what sound you are after and want to match the quality of your guitar with quality electronics then Schertler has some pickups to consider. The Schertler Bluestick UST is an under the saddle pickup that places the equivalent of a studio-grade condenser mic under your saddle. The Schertler Dyn-G is a dynamic transducer mic that goes on top of your sound board so no modification what so ever is required to your guitar. The Schertler Dyn-G is replicates the sound of a studio mic but without the onstage problems of bleed or feedback.

Schertler Pickups

Schertler Dyn-G

When it comes down to deciding which of the above is right for you there are a few things to consider:

  1. How much control do you want over the electronics?
  2. How much modification or installation do you want to make to your guitar?
  3. What playing environments are you going to be in?
  4. Budget?

As you can see from the options given you should be able to find the right pickup to fit any need and answers from the list above. Once you have answered these questions you can narrow down your choices of pickup and make your decision. What ever you decide these companies have provided the options for you to amplify your tone and send that call out into the wild, although I can guarantee that you will be happy with the sound that any of these choices gives you, we can not, sadly, provide any guarantee that your call will be headed by members of the opposite sex. We can only give you the tools and wish you the best of playing and the best of luck in your art of the pickup.